Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Riesengebirge oil


Riesengebirge
Painting ID::  1272
Riesengebirge
1835 Hermitage, St.Petersburg
1835_ Hermitage,_St.Petersburg
   
   
     

Caspar David Friedrich The Wreck of Hope oil


The Wreck of Hope
Painting ID::  1273
The Wreck of Hope
1824
1824
   
   
     

Caspar David Friedrich Moon Rising Over the Sea oil


Moon Rising Over the Sea
Painting ID::  1274
Moon Rising Over the Sea
1821 Hermitage, St.Petersburg
1821_ Hermitage,_St.Petersburg
   
   
     

Caspar David Friedrich On Board a Sailing Ship oil


On Board a Sailing Ship
Painting ID::  1275
On Board a Sailing Ship
Hermitage, St.Petersburg
Hermitage,_St.Petersburg
   
   
     

Caspar David Friedrich Abbey in an Oak Forest oil


Abbey in an Oak Forest
Painting ID::  1276
Abbey in an Oak Forest
1809-10 Schloss Charlottenburg, Berlin
1809-10_ Schloss_Charlottenburg,_Berlin
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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