Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Caspar David Friedrich The walker above the mists oil


The walker above the mists
Painting ID::  42755 		The walker above the mists
MK169 ca.1817-18 oil Paint on cloth 74.8x94.8cm
MK169_ ca.1817-18_oil_Paint_on_cloth_74.8x94.8cm
   
   
     
Caspar David Friedrich Landscape with Pavilion oil


Landscape with Pavilion
Painting ID::  43946 		Landscape with Pavilion
c. 1797 Pen, ink and watercolour, 167 x 217 mm
c._1797_ Pen,_ink_and_watercolour,_ 167_x_217_mm
   
   
     
Caspar David Friedrich Cross in the Mountains oil


Cross in the Mountains
Painting ID::  43947 		Cross in the Mountains
1805-06 Pencil and sepia, 640 x 931 mm
1805-06_ Pencil_and_sepia,_ 640_x_931_mm
   
   
     
Caspar David Friedrich Giant Grave by the Sea oil


Giant Grave by the Sea
Painting ID::  43948 		Giant Grave by the Sea
1806-07 645 x 950 mm
1806-07_ 645_x_950_mm
   
   
     
Caspar David Friedrich The Ruins of Eldena oil


The Ruins of Eldena
Painting ID::  43949 		The Ruins of Eldena
c. 1825 Pencil, ink and watercolour, 178 x 229 mm
c._1825 _Pencil,_ink_and_watercolour,_ 178_x_229_mm
   
   
     
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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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