Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich The Times of Day oil


The Times of Day
Painting ID::  73027
The Times of Day
um 1821 Oil on canvas 22 X 30.5 cm (8.66 X 12.01 in) cjr
   
   
     

Caspar David Friedrich The afternoon oil


The afternoon
Painting ID::  73028
The afternoon
um 1821 Oil on canvas 22 X 30.5 cm (8.66 X 12.01 in) cjr
   
   
     

Caspar David Friedrich The midday oil


The midday
Painting ID::  73030
The midday
um 1821 Oil on canvas 22 X 30.5 cm (8.66 X 12.01 in) cjr
   
   
     

Caspar David Friedrich The morning oil


The morning
Painting ID::  73032
The morning
um 1821 Oil on canvas 22 X 30.5 cm (8.66 X 12.01 in) cjr
   
   
     

Caspar David Friedrich Der Tempel der Juno in Agrigent oil


Der Tempel der Juno in Agrigent
Painting ID::  73138
Der Tempel der Juno in Agrigent
Date Deutsch: um 1830 English: c. 1830 Medium Oil on canvas Dimensions 54 X 72 cm (21.26 X 28.35 in) cyf
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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