Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Greifswald im Mondschein oil


Greifswald im Mondschein
Painting ID::  73707
Greifswald im Mondschein
Greifswald im Mondschein cjr
Greifswald_im_Mondschein cjr
   
   
     

Caspar David Friedrich Landscape with mill oil


Landscape with mill
Painting ID::  73708
Landscape with mill
"Landscape with mill" oil painting by Charles Wildt (1851-1912) cjr
   
   
     

Caspar David Friedrich Schwaene im Schilf oil


Schwaene im Schilf
Painting ID::  73758
Schwaene im Schilf
English: 1819 - 1820 Medium Oil on canvas Dimensions 36 X 44 cm (14.17 X 17.32 in) cyf
   
   
     

Caspar David Friedrich Seashore by Moonlight oil


Seashore by Moonlight
Painting ID::  73759
Seashore by Moonlight
Seashore by Moonlight cjr
Seashore_by_Moonlight cjr
   
   
     

Caspar David Friedrich TheHeldsteinnearRathe oil


TheHeldsteinnearRathe
Painting ID::  73767
TheHeldsteinnearRathe
Oil painting by Caspar David Friedrich 1808(1808) cjr
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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