Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Evening on the Baltic Sea oil


Evening on the Baltic Sea
Painting ID::  75701
Evening on the Baltic Sea
Date 1831 cyf
Date_1831 _cyf
   
   
     

Caspar David Friedrich Angelica and Medoro oil


Angelica and Medoro
Painting ID::  75702
Angelica and Medoro
Jacques Blanchard 1630 Angelica and Medoro.jpg Angelica and Medoro Date 1630 cyf
   
   
     

Caspar David Friedrich Felspartie oil


Felspartie
Painting ID::  75703
Felspartie
Deutsch: Felspartie Date 1811 cyf
Deutsch:_Felspartie_ Date_1811 _ cyf
   
   
     

Caspar David Friedrich Zwei Manner in Betrachtung des Mondes oil


Zwei Manner in Betrachtung des Mondes
Painting ID::  84804
Zwei Manner in Betrachtung des Mondes
oil on canvas, 35 x 44 cm Date ca. 1830 cyf
oil_on_canvas,_35_x_44_cm _ Date_ca._1830 _ cyf
   
   
     

Caspar David Friedrich On the sailing-vessel oil


On the sailing-vessel
Painting ID::  88082
On the sailing-vessel
1818(1818) Medium Oil on canvas Dimensions 56 x 71 cm (22 x 28 in) cjr
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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