Charles Angrand

French Pointillist Painter, 1854-1926.French painter. He was trained at the Acad?mie de Peinture et de Dessin in Rouen, where he won prizes. Although he failed to gain entry to the Ecole des Beaux-Arts in Paris, Angrand began to win a controversial local reputation for canvases in a loosely Impressionist manner. In 1882 he secured a post as a schoolteacher at the Coll?ge Chaptal in Paris. With this security he was able to make contacts in progressive artistic circles, and in 1884 he became a founder-member of the Salon des Ind?pendants. His paintings of this period depict rural interiors and kitchen gardens, combining the broken brushwork of Monet and Camille Pissarro with the tonal structure of Bastien-Lepage (e.g. In the Garden, 1884; priv. col., see 1979 exh. cat., p. 27).
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Charles Angrand Couple in the Street oil


Couple in the Street
Painting ID::  11588 		Couple in the Street
1887 1' 3 1/4'' x 1' 1''(38.5 x 33 cm)
1887 1'_3_1/4''_x_1'_1''(38.5_x_33_cm)
   
   
     
Charles Angrand Hay ricks in Normandy oil


Hay ricks in Normandy
Painting ID::  11589 		Hay ricks in Normandy
undated 6 1/4'' x 9 1/4''(16 x 23.5 cm)
undated_ 6_1/4''_x_9_1/4''(16_x_23.5_cm)
   
   
     
Charles Angrand The Western Railway Leaving Paris oil


The Western Railway Leaving Paris
Painting ID::  54152 		The Western Railway Leaving Paris
mk235 1886 Oil on canvas 75x92cm
mk235 1886 Oil_on_canvas 75x92cm
   
   
     
Charles Angrand Man and Woman in the Street oil


Man and Woman in the Street
Painting ID::  54168 		Man and Woman in the Street
mk235 1887 Oil on canvas 38.5x33cm
mk235 1887 Oil_on_canvas 38.5x33cm
   
   
     
Charles Angrand Man and Woman on the Street oil


Man and Woman on the Street
Painting ID::  58206 		Man and Woman on the Street
Man and Woman on the Street (1887) by Charles Angrand, which can be found at the Mus??e National d'Art Moderne.
   
   
     
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     Charles Angrand
     French Pointillist Painter, 1854-1926.French painter. He was trained at the Acad?mie de Peinture et de Dessin in Rouen, where he won prizes. Although he failed to gain entry to the Ecole des Beaux-Arts in Paris, Angrand began to win a controversial local reputation for canvases in a loosely Impressionist manner. In 1882 he secured a post as a schoolteacher at the Coll?ge Chaptal in Paris. With this security he was able to make contacts in progressive artistic circles, and in 1884 he became a founder-member of the Salon des Ind?pendants. His paintings of this period depict rural interiors and kitchen gardens, combining the broken brushwork of Monet and Camille Pissarro with the tonal structure of Bastien-Lepage (e.g. In the Garden, 1884; priv. col., see 1979 exh. cat., p. 27).

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