DAVID, Gerard

Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,
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DAVID, Gerard Adoration of the Magi kigh oil


Adoration of the Magi kigh
Painting ID::  6371 		Adoration of the Magi kigh
c. 1500 Oil on oaak, 83,9 x 66,8 cm Mus??es Royaux des Beaux-Arts, Brussels
   
   
     
DAVID, Gerard The Judgment of Cambyses (left panel) drah oil


The Judgment of Cambyses (left panel) drah
Painting ID::  6372 		The Judgment of Cambyses (left panel) drah
1498 Oil on wood, 159 x 182 cm Groeninge Museum, Bruges
1498 Oil_on_wood,_159_x_182_cm Groeninge_Museum,_Bruges
   
   
     
DAVID, Gerard Deposition fgha oil


Deposition fgha
Painting ID::  6373 		Deposition fgha
Oil on wood, 63 x 62 cm National Gallery, London
Oil_on_wood,_63_x_62_cm National_Gallery,_London
   
   
     
DAVID, Gerard The Judgment of Cambyses (right panel) drg oil


The Judgment of Cambyses (right panel) drg
Painting ID::  6374 		The Judgment of Cambyses (right panel) drg
1498 Oil on wood, 159 x 182 cm Groeninge Museum, Bruges
1498 Oil_on_wood,_159_x_182_cm Groeninge_Museum,_Bruges
   
   
     
DAVID, Gerard Lamentation dfg oil


Lamentation dfg
Painting ID::  6375 		Lamentation dfg
Oil on oak panel, 39,4 x 31,7 cm University Art Museum, University of California, Santa Barbara
   
   
     
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     DAVID, Gerard
     Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,

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