DAVID, Gerard

Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,
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DAVID, Gerard Mary and Child with two Angels Making Music dsf oil


Mary and Child with two Angels Making Music dsf
Painting ID::  6376 		Mary and Child with two Angels Making Music dsf
Panel Öffentliche Kunstsammlung, Basle
Panel Öffentliche_Kunstsammlung,_Basle
   
   
     
DAVID, Gerard Altarpiece of St Michael dfg oil


Altarpiece of St Michael dfg
Painting ID::  6377 		Altarpiece of St Michael dfg
Oil on wood, 66 x 53 cm Kunsthistorisches Museum, Vienna
Oil_on_wood,_66_x_53_cm Kunsthistorisches_Museum,_Vienna
   
   
     
DAVID, Gerard The Nativity dfgs oil


The Nativity dfgs
Painting ID::  6378 		The Nativity dfgs
c. 1490 Panel, 76,5 x 56 cm Museum of Fine Arts, Budapest
c._1490 Panel,_76,5_x_56_cm Museum_of_Fine_Arts,_Budapest
   
   
     
DAVID, Gerard The Nativity (detail)v td oil


The Nativity (detail)v td
Painting ID::  6379 		The Nativity (detail)v td
c. 1490 Panel, 76,5 x 56 cm (full painting) Museum of Fine Arts, Budapest
   
   
     
DAVID, Gerard The Nativity (detail) xir oil


The Nativity (detail) xir
Painting ID::  6380 		The Nativity (detail) xir
c. 1490 Panel, 76,5 x 56 cm (full painting) Museum of Fine Arts, Budapest
   
   
     
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     DAVID, Gerard
     Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,

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