DAVID, Gerard

Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,
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DAVID, Gerard Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg oil


Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg
Painting ID::  6381 		Pilate's Dispute with the High Priest; The Holy Women and St John at Golgotha dfg
1480-85 Oil on panel, 45 x 42,5 cm (each) Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
DAVID, Gerard Pilate's Dispute with the High Priest fdg oil


Pilate's Dispute with the High Priest fdg
Painting ID::  6382 		Pilate's Dispute with the High Priest fdg
1480-85 Oil on panel, 45 x 42,5 cm Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
DAVID, Gerard The Holy Women and St John at Golgotha dfv oil


The Holy Women and St John at Golgotha dfv
Painting ID::  6383 		The Holy Women and St John at Golgotha dfv
1480-85 Oil on panel, 45 x 42,5 cm Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
DAVID, Gerard The Transfiguration of Christ df oil


The Transfiguration of Christ df
Painting ID::  6384 		The Transfiguration of Christ df
1520 Oil on panel O.L. Vrouwekerk, Bruges
1520 Oil_on_panel O.L._Vrouwekerk,_Bruges
   
   
     
DAVID, Gerard The Annunciation dg02 oil


The Annunciation dg02
Painting ID::  6385 		The Annunciation dg02
1506 Panel Metropolitan Museum of Art, New York
1506 Panel Metropolitan_Museum_of_Art,_New_York
   
   
     
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     DAVID, Gerard
     Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,

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