DAVID, Gerard

Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,


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DAVID, Gerard The Marriage at Cana fg oil


The Marriage at Cana fg
Painting ID::  6386
The Marriage at Cana fg
c. 1500 Oil on wood, 100 x 128 cm Mus??e du Louvre, Paris
c._1500 Oil_on_wood,_100_x_128_cm Mus??e_du_Louvre,_Paris
   
   
     

DAVID, Gerard The Marriage at Cana (detail) dsd oil


The Marriage at Cana (detail) dsd
Painting ID::  6387
The Marriage at Cana (detail) dsd
c. 1500 Oil on wood Mus??e du Louvre, Paris
c._1500 Oil_on_wood Mus??e_du_Louvre,_Paris
   
   
     

DAVID, Gerard The Marriage at Cana (detail) dsg oil


The Marriage at Cana (detail) dsg
Painting ID::  6388
The Marriage at Cana (detail) dsg
c. 1500 Oil on wood Mus??e du Louvre, Paris
c._1500 Oil_on_wood Mus??e_du_Louvre,_Paris
   
   
     

DAVID, Gerard The Marriage at Cana (detail) dfgw oil


The Marriage at Cana (detail) dfgw
Painting ID::  6389
The Marriage at Cana (detail) dfgw
c. 1500 Oil on wood Mus??e du Louvre, Paris
c._1500 Oil_on_wood Mus??e_du_Louvre,_Paris
   
   
     

DAVID, Gerard The Mystic Marriage of St Catherine dg oil


The Mystic Marriage of St Catherine dg
Painting ID::  6390
The Mystic Marriage of St Catherine dg
1505-10 Oil tempera on wood, 106 x 144 cm National Gallery, London
   
   
     

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     DAVID, Gerard
     Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,

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