DOU, Gerrit

Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.
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DOU, Gerrit Officer of the Marksman Society in Leiden (detail) sd oil


Officer of the Marksman Society in Leiden (detail) sd
Painting ID::  6463 		Officer of the Marksman Society in Leiden (detail) sd
c. 1630 Oil on oakwood Museum of Fine Arts, Budapest
c._1630 Oil_on_oakwood Museum_of_Fine_Arts,_Budapest
   
   
     
DOU, Gerrit Old Woman Reading a Bible dfg oil


Old Woman Reading a Bible dfg
Painting ID::  6464 		Old Woman Reading a Bible dfg
c. 1630 Oil on wood, 71 x 55,5 cm Rijksmuseum, Amsterdam
c._1630 Oil_on_wood,_71_x_55,5_cm Rijksmuseum,_Amsterdam
   
   
     
DOU, Gerrit Portrait of an Old Woman df oil


Portrait of an Old Woman df
Painting ID::  6465 		Portrait of an Old Woman df
1643-45 Oil on wood, 20 x 16 cm Museum of Fine Arts, Budapest
   
   
     
DOU, Gerrit Painter in his Studio dafg oil


Painter in his Studio dafg
Painting ID::  6466 		Painter in his Studio dafg
1647 Oil on oak, 43 x 34,5 cm Gemäldegalerie, Dresden
   
   
     
DOU, Gerrit The Prayer of the Spinner s oil


The Prayer of the Spinner s
Painting ID::  6467 		The Prayer of the Spinner s
Oil on wood, 27,7 x 28,3 cm Alte Pinakothek, Munich
Oil_on_wood,_27,7_x_28,3_cm Alte_Pinakothek,_Munich
   
   
     
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     DOU, Gerrit
     Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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