Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Two Men at a Table oil


Two Men at a Table
Painting ID::  731
Two Men at a Table
Wellington Museum, London
Wellington_Museum,_London
   
   
     

Diego Velazquez The Waterseller of Seville oil


The Waterseller of Seville
Painting ID::  732
The Waterseller of Seville
1623 Wellington Museum, London, England
1623__ Wellington_Museum,_London,_England
   
   
     

Diego Velazquez Luis Gongora y Argote oil


Luis Gongora y Argote
Painting ID::  733
Luis Gongora y Argote
1622 Museum of Fine Arts, Boston
1622__ Museum_of_Fine_Arts,_Boston
   
   
     

Diego Velazquez Joseph's Bloody Coat Brought to Jacob oil


Joseph's Bloody Coat Brought to Jacob
Painting ID::  734
Joseph's Bloody Coat Brought to Jacob
1630 Monasterio de San Lorenzo, El Escorial
1630__ Monasterio_de_San_Lorenzo,_El_Escorial
   
   
     

Diego Velazquez Philip IV oil


Philip IV
Painting ID::  735
Philip IV
1624-27 Museo del Prado,, Madrid
1624-27_ _Museo_del_Prado,,_Madrid
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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