Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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Diego Velazquez Three Musicians oil


Three Musicians
Painting ID::  741 		Three Musicians
Gemaldegalerie, Berlin
Gemaldegalerie,_Berlin
   
   
     
Diego Velazquez Philip IV in Army Dress oil


Philip IV in Army Dress
Painting ID::  743 		Philip IV in Army Dress
1644 Frick Collection, New York
1644_ Frick_Collection,_New_York
   
   
     
Diego Velazquez Mercury and Argus oil


Mercury and Argus
Painting ID::  744 		Mercury and Argus
1659 Museo del Prado, Madrid
1659 _Museo_del_Prado,_Madrid
   
   
     
Diego Velazquez The Infanta Margarita oil


The Infanta Margarita
Painting ID::  745 		The Infanta Margarita
Museo del Prado, Madrid
Museo_del_Prado,_Madrid
   
   
     
Diego Velazquez Philip IV-g oil


Philip IV-g
Painting ID::  746 		Philip IV-g
1653-55 Museo del Prado, Madrid
1653-55_ Museo_del_Prado,_Madrid
   
   
     
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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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