Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez A Woman as a Sibyl oil


A Woman as a Sibyl
Painting ID::  757
A Woman as a Sibyl
1644-48 Meadows Museum of Art, Southern Methodist University, Dallas
   
   
     

Diego Velazquez Maria Teresa of Spain oil


Maria Teresa of Spain
Painting ID::  758
Maria Teresa of Spain
Art History Museum, Vienna
Art_History_Museum,_Vienna
   
   
     

Diego Velazquez Christ on the Cross oil


Christ on the Cross
Painting ID::  759
Christ on the Cross
1632 Museo del Prado, Madrid
1632_ Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez The Jester Known as Don Juan de Austria oil


The Jester Known as Don Juan de Austria
Painting ID::  760
The Jester Known as Don Juan de Austria
1634-36 Museo del Prado, Madrid
1634-36_ Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez Don Balthasar Carlos oil


Don Balthasar Carlos
Painting ID::  761
Don Balthasar Carlos
1638-41 Kunsthistorisches Museum, Vienna
1638-41 _Kunsthistorisches_Museum,_Vienna
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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