Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Portrait of Sebastian de Morra oil


Portrait of Sebastian de Morra
Painting ID::  96285
Portrait of Sebastian de Morra
1645(1645) Medium oil on canvas Dimensions 106,5 X 82,5 cm cyf
   
   
     

Diego Velazquez Mars oil


Mars
Painting ID::  96802
Mars
1640 Medium oil on canvas cyf
1640_ Medium_oil_on_canvas_ cyf
   
   
     

Diego Velazquez Josephs bloody coat brought to Jacob oil


Josephs bloody coat brought to Jacob
Painting ID::  97077
Josephs bloody coat brought to Jacob
1630(1630) Medium oil on canvas Dimensions 223 X 250 cm cyf
   
   
     

Diego Velazquez Self portrait oil


Self portrait
Painting ID::  98250
Self portrait
1640(1640) Medium oil on canvas Dimensions 45 x 38 cm cyf
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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