Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Democritus (detail) (df01) oil


Democritus (detail) (df01)
Painting ID::  22502
Democritus (detail) (df01)
1628-1629 Cat no 40
1628-1629 Cat_no_40
   
   
     

Diego Velazquez Head of a Stag (df01) oil


Head of a Stag (df01)
Painting ID::  22503
Head of a Stag (df01)
1626-1627 Cat no 33
1626-1627 Cat_no_33
   
   
     

Diego Velazquez Adoration of the Magi (detail) (df01) oil


Adoration of the Magi (detail) (df01)
Painting ID::  22504
Adoration of the Magi (detail) (df01)
1619 Cat.no 13 Portrait of Pacheco
1619 Cat.no_13 Portrait_of_Pacheco
   
   
     

Diego Velazquez Christ in the House of Martha and Mary (detail) (df01) oil


Christ in the House of Martha and Mary (detail) (df01)
Painting ID::  22505
Christ in the House of Martha and Mary (detail) (df01)
1618 cat no 7
1618 cat_no_7
   
   
     

Diego Velazquez Christ in the House of Martha and Mary (df01) oil


Christ in the House of Martha and Mary (df01)
Painting ID::  22506
Christ in the House of Martha and Mary (df01)
1618 Cat no 7
1618 Cat_no_7
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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