Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Philip III on Horseback (df01) oil


Philip III on Horseback (df01)
Painting ID::  22549
Philip III on Horseback (df01)
1634-1635
1634-1635
   
   
     

Diego Velazquez Queen Margarita on Horseback (df01) oil


Queen Margarita on Horseback (df01)
Painting ID::  22550
Queen Margarita on Horseback (df01)
164-1635
164-1635
   
   
     

Diego Velazquez Prince Baltasar Carlos on Horseback (df01) oil


Prince Baltasar Carlos on Horseback (df01)
Painting ID::  22551
Prince Baltasar Carlos on Horseback (df01)
1634-1635
1634-1635
   
   
     

Diego Velazquez Deliverance of Genoa by the Second Marquis of Santa Cruz (df01) oil


Deliverance of Genoa by the Second Marquis of Santa Cruz (df01)
Painting ID::  22552
Deliverance of Genoa by the Second Marquis of Santa Cruz (df01)
1634-1635
1634-1635
   
   
     

Diego Velazquez The Recapture of Bahia (df01) oil


The Recapture of Bahia (df01)
Painting ID::  22553
The Recapture of Bahia (df01)
Juan Bautista Maino 1634-1635
Juan_Bautista_Maino 1634-1635
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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