Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez The Cardinal Infante Don Fernando as a Hunter (df01) oil


The Cardinal Infante Don Fernando as a Hunter (df01)
Painting ID::  22559
The Cardinal Infante Don Fernando as a Hunter (df01)
c 1632 -1633
c_1632_-1633
   
   
     

Diego Velazquez Mars (detail) (df01) oil


Mars (detail) (df01)
Painting ID::  22560
Mars (detail) (df01)
c 1639-1641
c_1639-1641
   
   
     

Diego Velazquez Aesop (df01) oil


Aesop (df01)
Painting ID::  22561
Aesop (df01)
Jose de Ribera 1640 -1650 Madrid,Museo del Prado
Jose_de_Ribera 1640_-1650 Madrid,Museo_del_Prado
   
   
     

Diego Velazquez Aesop (detail) (df01) oil


Aesop (detail) (df01)
Painting ID::  22562
Aesop (detail) (df01)
c 1639 -1641
c_1639_-1641
   
   
     

Diego Velazquez Democritus (df01) oil


Democritus (df01)
Painting ID::  22563
Democritus (df01)
Peter paul Rubens 1603 Madrid,Museo del Prado
Peter_paul_Rubens 1603 Madrid,Museo_del_Prado
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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