Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Las Meninas.Ausschnitt:Kopf der Infantin oil


Las Meninas.Ausschnitt:Kopf der Infantin
Painting ID::  34356
Las Meninas.Ausschnitt:Kopf der Infantin
mk92
mk92
   
   
     

Diego Velazquez The Toilet of venus oil


The Toilet of venus
Painting ID::  34692
The Toilet of venus
mk96 about 1647-1651 123x177cm
mk96 about_1647-1651 123x177cm
   
   
     

Diego Velazquez Pope Innocent x oil


Pope Innocent x
Painting ID::  34693
Pope Innocent x
mk96 1650 140x120cm
mk96 1650 140x120cm
   
   
     

Diego Velazquez Democritus oil


Democritus
Painting ID::  38425
Democritus
1628-29 Oil on canvas
1628-29 Oil_on_canvas
   
   
     

Diego Velazquez Yong Man oil


Yong Man
Painting ID::  38426
Yong Man
c. 1629 Oil on canvas
c._1629 Oil_on_canvas
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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