Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Mars oil


Mars
Painting ID::  762
Mars
1636-42 Museo del Prado, Madrid
1636-42_ Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez The Coronation of the Virgin oil


The Coronation of the Virgin
Painting ID::  763
The Coronation of the Virgin
1641-44 Museo del Prado, Madrid
1641-44_ Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez Don Sebastian de Morra oil


Don Sebastian de Morra
Painting ID::  764
Don Sebastian de Morra
1645 Museo del Prado, Madrid
1645_ Museo_del_Prado,_Madrid
   
   
     

Diego Velazquez Pope Innocent X oil


Pope Innocent X
Painting ID::  765
Pope Innocent X
1649-50 National Gallery of Art, Washington DC
1649-50_ National_Gallery_of_Art,_Washington_DC
   
   
     

Diego Velazquez The Forge of Vulcan oil


The Forge of Vulcan
Painting ID::  766
The Forge of Vulcan
1630 Museo del Prado, Madrid
1630_ Museo_del_Prado,_Madrid
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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