Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez The Forge of Vulcan oil


The Forge of Vulcan
Painting ID::  85521
The Forge of Vulcan
Oil on canvas Dimensions 223 x 290 mm (8.78 x 11.42 in) cyf
   
   
     

Diego Velazquez Portrat eines Mannes oil


Portrat eines Mannes
Painting ID::  85526
Portrat eines Mannes
Date 1635-1645 Medium Oil on canvas Dimensions Deutsch: 76 x 64,5 cm cjr
   
   
     

Diego Velazquez Prince Baltasar Carlos with the Count oil


Prince Baltasar Carlos with the Count
Painting ID::  85533
Prince Baltasar Carlos with the Count
1636(1636) Medium Oil on canvas Dimensions 144 x 96.5 cm (56.7 x 38 in) cyf
   
   
     

Diego Velazquez Drei Manner am Tisch oil


Drei Manner am Tisch
Painting ID::  85868
Drei Manner am Tisch
1618(1618) Medium Oil on canvas Dimensions 108,5 x 102 cm cyf
   
   
     

Diego Velazquez Old Woman Frying Eggs oil


Old Woman Frying Eggs
Painting ID::  85930
Old Woman Frying Eggs
Date ca. 1618(1618) Medium Oil on canvas Dimensions 105 x 119 cm cjr
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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