Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Die Schmiede Vulkans oil


Die Schmiede Vulkans
Painting ID::  87871
Die Schmiede Vulkans
Date 1630(1630) Medium Oil on canvas Dimensions Deutsch: 222 x 290 cm cjr
   
   
     

Diego Velazquez Christ crucified oil


Christ crucified
Painting ID::  87896
Christ crucified
1632(1632) Medium Oil on canvas Dimensions 248 x 169 cm cyf
   
   
     

Diego Velazquez Im Garten der Villa Medici in Rom oil


Im Garten der Villa Medici in Rom
Painting ID::  88676
Im Garten der Villa Medici in Rom
c. 1630 Medium Oil on canvas Dimensions Deutsch: 48 x 42 cm cjr
   
   
     

Diego Velazquez Die Spinnerinnen oil


Die Spinnerinnen
Painting ID::  88951
Die Spinnerinnen
1644-1648 Medium Oil on canvas Dimensions Deutsch: 222 x 293 cm cyf
   
   
     

Diego Velazquez Menippos oil


Menippos
Painting ID::  89222
Menippos
1639-1641 Medium Oil on canvas Dimensions 178 x 93,5 cm cjr
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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