Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Count-Duke of Olivares (df01) oil


Count-Duke of Olivares (df01)
Painting ID::  22523
Count-Duke of Olivares (df01)
1622-1627
1622-1627
   
   
     

Diego Velazquez Christ and the Christian Soul (df01) oil


Christ and the Christian Soul (df01)
Painting ID::  22524
Christ and the Christian Soul (df01)
1626-1628
1626-1628
   
   
     

Diego Velazquez The Buffoon Calabazas (Calabacillas) (detail) (df01) oil


The Buffoon Calabazas (Calabacillas) (detail) (df01)
Painting ID::  22527
The Buffoon Calabazas (Calabacillas) (detail) (df01)
c 1628-1629
c_1628-1629
   
   
     

Diego Velazquez Democritus (detail) (df01) oil


Democritus (detail) (df01)
Painting ID::  22528
Democritus (detail) (df01)
1626-1528
1626-1528
   
   
     

Diego Velazquez Bacchus (df01) oil


Bacchus (df01)
Painting ID::  22532
Bacchus (df01)
1628-1629
1628-1629
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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