Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez So-called Barber to the Pope (detail) (df01) oil


So-called Barber to the Pope (detail) (df01)
Painting ID::  22595
So-called Barber to the Pope (detail) (df01)
1650
1650
   
   
     

Diego Velazquez No VII of Eight Studies for a Portrait (df01) oil


No VII of Eight Studies for a Portrait (df01)
Painting ID::  22596
No VII of Eight Studies for a Portrait (df01)
1953 New York,The Museum of Modern Art
1953 New_York,The_Museum_of_Modern_Art
   
   
     

Diego Velazquez Innocent X (detail) (df01) oil


Innocent X (detail) (df01)
Painting ID::  22597
Innocent X (detail) (df01)
1650
1650
   
   
     

Diego Velazquez The Family of the Artist (df01) oil


The Family of the Artist (df01)
Painting ID::  22598
The Family of the Artist (df01)
Juan Bautista Martinez del Mazo c 1660 -1665 Vienna,Kunsthistorisches Museum
   
   
     

Diego Velazquez Infanta Margarita (df01) oil


Infanta Margarita (df01)
Painting ID::  22599
Infanta Margarita (df01)
Unfinished work,completed by Juan Bautista Martinez del Mazo c 1660 Madrid,Museo del Prado
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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