Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Portrait d'homme en buste (jose Nieto) (df02) oil


Portrait d'homme en buste (jose Nieto) (df02)
Painting ID::  22702
Portrait d'homme en buste (jose Nieto) (df02)
c 1635-1645 Portrait of a Man (Jose Nieto) Portrat eines Mannes (Jose Nieto) 76 x 64.8 cm
   
   
     

Diego Velazquez Esope (df02) oil


Esope (df02)
Painting ID::  22703
Esope (df02)
c 1639-1641 Aesop Asop 179.5 x 94 cm
c_1639-1641 Aesop Asop 179.5_x_94_cm
   
   
     

Diego Velazquez Menippe (df02) oil


Menippe (df02)
Painting ID::  22704
Menippe (df02)
1639-1641 Menippus Menippos 178.5 x 93.5 cm
1639-1641 Menippus Menippos 178.5_x_93.5_cm
   
   
     

Diego Velazquez Mars (df02) oil


Mars (df02)
Painting ID::  22705
Mars (df02)
c 1639-1641 Mars Mars 181 x 99 cm
c_1639-1641 Mars Mars 181_x_99_cm
   
   
     

Diego Velazquez Portrait de Francisco Bandres de Abarc (df02) oil


Portrait de Francisco Bandres de Abarc (df02)
Painting ID::  22706
Portrait de Francisco Bandres de Abarc (df02)
c 1638-1646 Francisco Bandres de Abarca Francisco Bandres de Abarca 64.5 x 53 cm
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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