Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Rokeby Venus oil


Rokeby Venus
Painting ID::  50735
Rokeby Venus
mk214 c.1650 Oil on canvas 122.7x177cm
mk214 c.1650 Oil_on_canvas 122.7x177cm
   
   
     

Diego Velazquez Las Menin oil


Las Menin
Painting ID::  53802
Las Menin
mk234 1656 318x276cm
mk234_ 1656_ 318x276cm
   
   
     

Diego Velazquez Francisco Lezcano oil


Francisco Lezcano
Painting ID::  53803
Francisco Lezcano
mk234 1636-38 107x83cm
mk234_ 1636-38_ 107x83cm
   
   
     

Diego Velazquez Christ on the crosses oil


Christ on the crosses
Painting ID::  53804
Christ on the crosses
mk234 1631-32 248x169cm
mk234_ 1631-32_ 248x169cm
   
   
     

Diego Velazquez Vulcanus- smithy oil


Vulcanus- smithy
Painting ID::  53806
Vulcanus- smithy
mk234 1630 223x290cm
mk234_ 1630_ 223x290cm
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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