Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Portrait of the Count Duke of Olivares oil


Portrait of the Count Duke of Olivares
Painting ID::  94833
Portrait of the Count Duke of Olivares
1635 Type Oil on canvas Dimensions 67 cm x 54.5 cm cyf
   
   
     

Diego Velazquez Prince Balthasar Charles as a Hunter oil


Prince Balthasar Charles as a Hunter
Painting ID::  94835
Prince Balthasar Charles as a Hunter
1635 Type Oil on canvas Dimensions 191 cm x 103 cm cyf
   
   
     

Diego Velazquez Portrait of Juan Martinez Montanes oil


Portrait of Juan Martinez Montanes
Painting ID::  94837
Portrait of Juan Martinez Montanes
1635-1636 Type Oil on canvas Dimensions 109 cm x 107 cm cyf
   
   
     

Diego Velazquez Equestrian Portrait of Philip IV oil


Equestrian Portrait of Philip IV
Painting ID::  94838
Equestrian Portrait of Philip IV
1635-1636 Type Oil on canvas Dimensions 301 cm x 314 cm cyf
   
   
     

Diego Velazquez Jester Calabacillas oil


Jester Calabacillas
Painting ID::  94842
Jester Calabacillas
1637-1639 Type oil on canvas Dimensions 106.5 cm x 82.5 cm cyf
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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