Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Philip II as an old Man (df01) oil


Philip II as an old Man (df01)
Painting ID::  22544
Philip II as an old Man (df01)
c 1590 El Escorial,Patrimonio Nacional,Monasterio de San Lorenzo
   
   
     

Diego Velazquez Prince Baltasar Carlos with a Dwarf (df01) oil


Prince Baltasar Carlos with a Dwarf (df01)
Painting ID::  22545
Prince Baltasar Carlos with a Dwarf (df01)
1631
1631
   
   
     

Diego Velazquez Queen Isabel on Horseback (detail) (df01) oil


Queen Isabel on Horseback (detail) (df01)
Painting ID::  22546
Queen Isabel on Horseback (detail) (df01)
1634-1635
1634-1635
   
   
     

Diego Velazquez Philip IV on Horseback (df01) oil


Philip IV on Horseback (df01)
Painting ID::  22547
Philip IV on Horseback (df01)
1534-1635
1534-1635
   
   
     

Diego Velazquez The Surrender of Breda (Las Lanzas) (df01) oil


The Surrender of Breda (Las Lanzas) (df01)
Painting ID::  22548
The Surrender of Breda (Las Lanzas) (df01)
1634-1635
1634-1635
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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