Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Mars oil


Mars
Painting ID::  82005
Mars
Date c. 1640 Medium Oil on canvas cjr
Date_c._1640 _ Medium_Oil_on_canvas _ cjr
   
   
     

Diego Velazquez Christus im Hause von Martha und Maria oil


Christus im Hause von Martha und Maria
Painting ID::  82106
Christus im Hause von Martha und Maria
Date 1618(1618) Medium Oil on canvas Dimensions Deutsch: 60 x 103,5 cm cjr
   
   
     

Diego Velazquez Drei Manner am Tisch oil


Drei Manner am Tisch
Painting ID::  82431
Drei Manner am Tisch
Date ca. 1618(1618) Medium Oil on canvas Dimensions 108,5 x 102 cm cjr
   
   
     

Diego Velazquez Self-portrait oil


Self-portrait
Painting ID::  83125
Self-portrait
Date ca. 1640(1640) Medium Oil on canvas Dimensions 45 x 38 cm (17.7 x 15 in) cjr
   
   
     

Diego Velazquez asop oil


asop
Painting ID::  83148
asop
Date 1639-1640 Medium Oil on canvas Dimensions Deutsch: 179,5 x 94 cm cjr
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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