Domenichino

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.


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Domenichino The Assumption of Mary Magdalene into Heaven oil


The Assumption of Mary Magdalene into Heaven
Painting ID::  982
The Assumption of Mary Magdalene into Heaven
1620 The Hermitage, St.Petersburg
1620_ The_Hermitage,_St.Petersburg
   
   
     

Domenichino The Repose of Venus oil


The Repose of Venus
Painting ID::  983
The Repose of Venus
The Hermitage, St.Petersburg
The_Hermitage,_St.Petersburg
   
   
     

Domenichino Landscape with Tobias Laying Hold of the Fish oil


Landscape with Tobias Laying Hold of the Fish
Painting ID::  984
Landscape with Tobias Laying Hold of the Fish
1617-18 National Gallery, London
1617-18_ National_Gallery,_London
   
   
     

Domenichino Portrait of Cardinal Agucchi oil


Portrait of Cardinal Agucchi
Painting ID::  985
Portrait of Cardinal Agucchi
1605 Galleria degli Uffizi, Florence
1605_ Galleria_degli_Uffizi,_Florence
   
   
     

Domenichino The Maiden and the Unicorn oil


The Maiden and the Unicorn
Painting ID::  986
The Maiden and the Unicorn
1602 Palazzo Famese, Rome
1602_ Palazzo_Famese,_Rome
   
   
     

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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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