Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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Duccio di Buoninsegna Madonna and Child iws oil


Madonna and Child iws
Painting ID::  6481 		Madonna and Child iws
1280s Tempera on wood, 68 x 47 cm Chiesa dei Santi Lorenzo e Ippolito, Castelfiorentino
   
   
     
Duccio di Buoninsegna Madonna with Child and Two Angels (Crevole Madonna) dfg oil


Madonna with Child and Two Angels (Crevole Madonna) dfg
Painting ID::  6483 		Madonna with Child and Two Angels (Crevole Madonna) dfg
1283-84 Tempera on wood, 89 x 60 cm Museo dell'Opera del Duomo, Siena
   
   
     
Duccio di Buoninsegna Crevole Madonna (detail) sdg oil


Crevole Madonna (detail) sdg
Painting ID::  6484 		Crevole Madonna (detail) sdg
1283-84 Tempera on wood Museo dell'Opera del Duomo, Siena
1283-84 Tempera_on_wood Museo_dell'Opera_del_Duomo,_Siena
   
   
     
Duccio di Buoninsegna Window ds oil


Window ds
Painting ID::  6485 		Window ds
1288 Stained-glass, diameter: 700 cm Duomo, Siena
1288 Stained-glass,_diameter:_700_cm Duomo,_Siena
   
   
     
Duccio di Buoninsegna Maesta oil


Maesta
Painting ID::  6486 		Maesta
1288-1300 Tempera on wood, 31,5 x 22,5 cm Kunstmuseum, Bern
   
   
     
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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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