1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
en helgonbiskop mk248 sienaskolans malare bade en bapnadsvackande kansla for farg ocb var ocksa skickliga dekormalare, bade nar det gallde monster ocb guldapplikationer. kontrasten mellan utforandet av biskopens ansite ocb bans kladedrakt ar typiskt for den bysantinska stilen.
judaskyssen ocb bon pa oljeberget Painting ID:: 56573
judaskyssen ocb bon pa oljeberget mk248 duccios maesta ar malat pa bada sidor. framsidan ar sjalva marsta, den tronande mafonnan med fesusbarnet, kront,kront av pannaer ocb en predella pa baksidan finns 26 scener ur kristi lidande, ursprungligen endast avsedda for prasterskaprts blivkar. scenerna kan lasas som en poetisl grafisk roman ocb demonstrerar den berattande konst som forknippas med sienaskolan, isynnerbet duccio. maesta monterades ner 1771 ocb stalldes upp igen pa tua separata altare. verket skadades svart, nagra av pannannaerna saldes till utlandet ocb andra forsvann belt ocb ballet
1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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