Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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Duccio di Buoninsegna Rucellai Madonna oil


Rucellai Madonna
Painting ID::  33302 		Rucellai Madonna
mk86 c.1285 Tempera on wood 450x290cm Florence,Galleria degli Uffizi
   
   
     
Duccio di Buoninsegna Christ Entering Jerusalem oil


Christ Entering Jerusalem
Painting ID::  33304 		Christ Entering Jerusalem
mk86 1308-1311 Tempera on wood 100x57cm Siena,Museo dell'Opera del Duomo
   
   
     
Duccio di Buoninsegna Madonna of the Franciscans oil


Madonna of the Franciscans
Painting ID::  33313 		Madonna of the Franciscans
mk86 c.1300 Tempera on wood 24x16cm Siena. Pinacoteca Nazionale
   
   
     
Duccio di Buoninsegna Adoration of the Magi oil


Adoration of the Magi
Painting ID::  33314 		Adoration of the Magi
mk86 1308-1311 Tempera on wood 42.5x44cm
mk86 1308-1311 Tempera_on_wood 42.5x44cm
   
   
     
Duccio di Buoninsegna Peter's First Denial of Christ and Christ Before the High Priest Annas oil


Peter's First Denial of Christ and Christ Before the High Priest Annas
Painting ID::  33315 		Peter's First Denial of Christ and Christ Before the High Priest Annas
mk86 1308-1311 Tempera on wood 99x53.5cm
mk86 1308-1311 Tempera_on_wood 99x53.5cm
   
   
     
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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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