Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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Duccio di Buoninsegna Maria and Child throning in majesty, hoofddpaneel of the Maesta, altar piece oil


Maria and Child throning in majesty, hoofddpaneel of the Maesta, altar piece
Painting ID::  42606 		Maria and Child throning in majesty, hoofddpaneel of the Maesta, altar piece
MK169 1308-11 Panel 213x396cm Museo dell-opera divide Duomo, Siena
   
   
     
Duccio di Buoninsegna The third verloochening of Christ oil


The third verloochening of Christ
Painting ID::  42607 		The third verloochening of Christ
MK169 detail of the Maesta 1308-11 Panel ca.49.5x54cm Museo dell-Opera divide Duomo Siena
   
   
     
Duccio di Buoninsegna St Magdalen oil


St Magdalen
Painting ID::  52074 		St Magdalen
Wood, 44,2 x 29,1 cm
Wood,_ 44,2_x_29,1_cm
   
   
     
Duccio di Buoninsegna Descent to Hell oil


Descent to Hell
Painting ID::  52127 		Descent to Hell
1308-11 Tempera on wood, 51 x 53,5 cm
1308-11_ Tempera_on_wood,_ 51_x_53,5_cm
   
   
     
Duccio di Buoninsegna Appearence to Mary Magdalene oil


Appearence to Mary Magdalene
Painting ID::  52128 		Appearence to Mary Magdalene
1308-11 Tempera on wood, 51 x 57 cm
1308-11_Tempera_on_wood,_51_x_57_cm
   
   
     
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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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