Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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Duccio di Buoninsegna Road to Emmaus oil


Road to Emmaus
Painting ID::  52129 		Road to Emmaus
1308-11 Tempera on wood, 51 x 57 cm
1308-11 Tempera_on_wood,_ 51_x_57_cm
   
   
     
Duccio di Buoninsegna The Virgin Mary and angel predictor,Saint oil


The Virgin Mary and angel predictor,Saint
Painting ID::  48625 		The Virgin Mary and angel predictor,Saint
mk191 Circa 1300 Tempera on board 62x38cm
mk191 Circa_1300 Tempera_on_board 62x38cm
   
   
     
Duccio di Buoninsegna Detail of The Virgin Mary and angel predictor,Saint oil


Detail of The Virgin Mary and angel predictor,Saint
Painting ID::  48626 		Detail of The Virgin Mary and angel predictor,Saint
mk161 tempera on board
mk161 tempera_on_board
   
   
     
Duccio di Buoninsegna Detail of The Virgin Mary and angel predictor,Saint oil


Detail of The Virgin Mary and angel predictor,Saint
Painting ID::  48627 		Detail of The Virgin Mary and angel predictor,Saint
mk191 angels on the painting
mk191 angels_on_the_painting
   
   
     
Duccio di Buoninsegna Detail of The Virgin Mary and angel predictor,Saint oil


Detail of The Virgin Mary and angel predictor,Saint
Painting ID::  48628 		Detail of The Virgin Mary and angel predictor,Saint
mk191 The virgin Mary
mk191 The_virgin_Mary
   
   
     
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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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