Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.


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Duccio di Buoninsegna Peter's First Denial of Christ and Christ Before the High Priest Annas (mk08) oil


Peter's First Denial of Christ and Christ Before the High Priest Annas (mk08)
Painting ID::  21155
Peter's First Denial of Christ and Christ Before the High Priest Annas (mk08)
1308-1311 Tempera on wood 99x33.5cm.Siena, Museo dell'Opera del Duomo
   
   
     

Duccio di Buoninsegna Madonna and Child Enthroned with Six Angels oil


Madonna and Child Enthroned with Six Angels
Painting ID::  29693
Madonna and Child Enthroned with Six Angels
mk67 Tempera on panel 177 3/16x114 3/16in
mk67 Tempera_on_panel 177_3/16x114_3/16in
   
   
     

Duccio di Buoninsegna Madonna and Child with Angels oil


Madonna and Child with Angels
Painting ID::  30382
Madonna and Child with Angels
mk68 Tempera on wood Florence Uffizi
mk68 Tempera_on_wood Florence Uffizi
   
   
     

Duccio di Buoninsegna Last Supper oil


Last Supper
Painting ID::  30390
Last Supper
mk68 Tempera on wood Siena Opera del Duomo Museum
mk68 Tempera_on_wood Siena_ Opera_del_Duomo_Museum
   
   
     

Duccio di Buoninsegna Detail from Maesta oil


Detail from Maesta
Painting ID::  30391
Detail from Maesta
mk68 Tempera on wood Sueba
mk68 Tempera_on_wood Sueba
   
   
     

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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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