Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.


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Duccio di Buoninsegna The temptation of christ on themountain oil


The temptation of christ on themountain
Painting ID::  31714
The temptation of christ on themountain
mk76 Painted between 1308and 1311 Tempera on panel 17x18in
   
   
     

Duccio di Buoninsegna Maesta oil


Maesta
Painting ID::  33274
Maesta
mk83 1308-1311 Tempera and oil on wood 211x426cm
mk83 1308-1311 Tempera_and_oil_on_wood 211x426cm
   
   
     

Duccio di Buoninsegna Christ Crowned with Thorns oil


Christ Crowned with Thorns
Painting ID::  33275
Christ Crowned with Thorns
mk83 1308-1311 Tempera and oil on wood 50x53.5cm
mk83 1308-1311 Tempera_and_oil_on_wood 50x53.5cm
   
   
     

Duccio di Buoninsegna Altar Cross oil


Altar Cross
Painting ID::  33285
Altar Cross
mk83 1280-1283 Tempera on wood 286x192cm
mk83 1280-1283 Tempera_on_wood 286x192cm
   
   
     

Duccio di Buoninsegna The Tempration of Christ on the Mountain oil


The Tempration of Christ on the Mountain
Painting ID::  33300
The Tempration of Christ on the Mountain
mk86 c.1308-1311 Tempera on wood 43.2x46cm New York
mk86 c.1308-1311 Tempera_on_wood 43.2x46cm New_York
   
   
     

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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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