Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.


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Duccio di Buoninsegna The Holy Woman at the Sepulchre oil


The Holy Woman at the Sepulchre
Painting ID::  268
The Holy Woman at the Sepulchre
1308-11
1308-11
   
   
     

Duccio di Buoninsegna The Calling of the Apostles Peter and Andrew oil


The Calling of the Apostles Peter and Andrew
Painting ID::  269
The Calling of the Apostles Peter and Andrew
1308-1311 The National Gallery of Art, Washington DC
1308-1311_ The_National_Gallery_of_Art,_Washington_DC
   
   
     

Duccio di Buoninsegna Temptation on the Mount oil


Temptation on the Mount
Painting ID::  270
Temptation on the Mount
Frick Collection, New York
Frick_Collection,_New_York
   
   
     

Duccio di Buoninsegna Madonna and Child oil


Madonna and Child
Painting ID::  271
Madonna and Child
Pinacoteca, Siena
Pinacoteca,_Siena
   
   
     

Duccio di Buoninsegna The Madonna of the Franciscans oil


The Madonna of the Franciscans
Painting ID::  272
The Madonna of the Franciscans
1287-88 Pinacoteca, Siena
1287-88_ Pinacoteca,_Siena
   
   
     

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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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