Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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Duccio di Buoninsegna Rucellai Madonna (mk08) oil


Rucellai Madonna (mk08)
Painting ID::  21142 		Rucellai Madonna (mk08)
c.1285 Tempera on wood 450x290cm Florence,Galleria degli Uffizi
   
   
     
Duccio di Buoninsegna The Temptation of Christ on the Mountain (mk08) oil


The Temptation of Christ on the Mountain (mk08)
Painting ID::  21140 		The Temptation of Christ on the Mountain (mk08)
c.1308-1311 Tempera on wood, 43.2x46CM New York. The Frich Collection
   
   
     
Duccio di Buoninsegna Christ Entering Jerusalem (mk08) oil


Christ Entering Jerusalem (mk08)
Painting ID::  21144 		Christ Entering Jerusalem (mk08)
1308-1311 Tempera on wood,100x57cm Siena,Museo dell'Opera del Duomo
   
   
     
Duccio di Buoninsegna Madonna and Child (no. 593) dfg oil


Madonna and Child (no. 593) dfg
Painting ID::  6479 		Madonna and Child (no. 593) dfg
1280s Tempera on wood, 63 x 49,5 cm Pinacoteca Nazionale, Siena
   
   
     
Duccio di Buoninsegna Gualino Madonna sdfdh oil


Gualino Madonna sdfdh
Painting ID::  6480 		Gualino Madonna sdfdh
after 1285 Tempera on wood, 157 x 86 cm Galleria Sabauda, Turin
   
   
     
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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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