Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Dancers Climbing the Stairs oil


Dancers Climbing the Stairs
Painting ID::  794
Dancers Climbing the Stairs
1886-90 Museum d'Orsay, Paris
1886-90_ Museum_d'Orsay,_Paris
   
   
     

Edgar Degas Ballet at the Paris Opera oil


Ballet at the Paris Opera
Painting ID::  795
Ballet at the Paris Opera
1877-78 The Art Institute of Chicago
1877-78_ The_Art_Institute_of_Chicago
   
   
     

Edgar Degas The Rehearsal oil


The Rehearsal
Painting ID::  796
The Rehearsal
1877 23" x 33" Glasgow Museum of Art
1877_23"_x_33"_ Glasgow_Museum_of_Art
   
   
     

Edgar Degas Dancers in Pink_f oil


Dancers in Pink_f
Painting ID::  797
Dancers in Pink_f
1880-85 Hill-Stead Museum, Farmington
1880-85_ Hill-Stead_Museum,_Farmington
   
   
     

Edgar Degas Ballet Class oil


Ballet Class
Painting ID::  798
Ballet Class
1881 Philadelphia Museum of Art
1881_ Philadelphia_Museum_of_Art
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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