Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Interior oil


Interior
Painting ID::  95049
Interior
1868 - 1869 Type Oil on canvas Dimensions 81.3 cm x 114.3 cm cyf
   
   
     

Edgar Degas A Cotton Office in New Orleans oil


A Cotton Office in New Orleans
Painting ID::  95059
A Cotton Office in New Orleans
1873 Type oil on canvas Dimensions 73 cm x 92 cm cyf
1873_ Type_oil_on_canvas_ Dimensions_73_cm_x_92_cm_ cyf
   
   
     

Edgar Degas Portraits at the Stock Exchange oil


Portraits at the Stock Exchange
Painting ID::  95076
Portraits at the Stock Exchange
1879 Type oil on canvas Dimensions 100 cm x 82 cm cyf
1879_ Type_oil_on_canvas_ Dimensions_100_cm_x_82_cm_ cyf
   
   
     

Edgar Degas The Ballet Scene from Meyerbeer's Opera oil


The Ballet Scene from Meyerbeer's Opera
Painting ID::  95104
The Ballet Scene from Meyerbeer's Opera
Date 1876 TTD
Date_1876 _ TTD
   
   
     

Edgar Degas Portrait of Estelle Balfour oil


Portrait of Estelle Balfour
Painting ID::  96222
Portrait of Estelle Balfour
between 1863(1863) and 1865(1865) Medium oil on canvas mounted on panel cyf
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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