Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Dress rehearsal Dancer oil


Dress rehearsal Dancer
Painting ID::  49909
Dress rehearsal Dancer
mk206 1878 Oil on canvas 49.5x32.3cm
mk206 1878 Oil_on_canvas 49.5x32.3cm
   
   
     

Edgar Degas Rehearsal on the stage oil


Rehearsal on the stage
Painting ID::  49910
Rehearsal on the stage
mk206 1874 Oil on canvas 65x81cm
mk206 1874 Oil_on_canvas 65x81cm
   
   
     

Edgar Degas Rehearsal on the stage oil


Rehearsal on the stage
Painting ID::  49911
Rehearsal on the stage
mk206 about 1874 Oil on canvas 53.3x72.3cm
mk206 about_1874 Oil_on_canvas 53.3x72.3cm
   
   
     

Edgar Degas Dance class oil


Dance class
Painting ID::  49912
Dance class
mk206 1874 Oil on canvas 83.8x80.6cm
mk206 1874 Oil_on_canvas 83.8x80.6cm
   
   
     

Edgar Degas Dance class oil


Dance class
Painting ID::  49913
Dance class
mk206 1873-1876 Oil on canvas 85x75cm
mk206 1873-1876 Oil_on_canvas 85x75cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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