Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas After The Bath oil


After The Bath
Painting ID::  49176 		After The Bath
mk194 c.1892-94
mk194 c.1892-94
   
   
     
Edgar Degas Study of a Horse from the Parthenon Frieze oil


Study of a Horse from the Parthenon Frieze
Painting ID::  49177 		Study of a Horse from the Parthenon Frieze
mk194 c.1854
mk194 c.1854
   
   
     
Edgar Degas Studies for the Daughter of Jephthah oil


Studies for the Daughter of Jephthah
Painting ID::  49178 		Studies for the Daughter of Jephthah
mk194 c.1859-61
mk194 c.1859-61
   
   
     
Edgar Degas The Daughter of Japhthah oil


The Daughter of Japhthah
Painting ID::  49179 		The Daughter of Japhthah
mk194 1859-60 Oil on canvas
mk194 1859-60 Oil_on_canvas
   
   
     
Edgar Degas Portrait of a Woman,after a Drawing in the uffizi then attributed to leonardo da vinci oil


Portrait of a Woman,after a Drawing in the uffizi then attributed to leonardo da vinci
Painting ID::  49180 		Portrait of a Woman,after a Drawing in the uffizi then attributed to leonardo da vinci
mk194 c.1858-59
mk194 c.1858-59
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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