Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Tub oil


Tub
Painting ID::  49959
Tub
mk206 1886 Oil on canvas 60x83cm
mk206 1886 Oil_on_canvas 60x83cm
   
   
     

Edgar Degas the lady in the tub oil


the lady in the tub
Painting ID::  49960
the lady in the tub
mk206 1884 Oil on canvas 86x76cm
mk206 1884 Oil_on_canvas 86x76cm
   
   
     

Edgar Degas Dressing up lady oil


Dressing up lady
Painting ID::  49961
Dressing up lady
mk206 1884-1886 Oil on canvas 53x52cm
mk206 1884-1886 Oil_on_canvas 53x52cm
   
   
     

Edgar Degas Go to bed oil


Go to bed
Painting ID::  49962
Go to bed
mk206 1883 Oil on canvas 36.4x43cm
mk206 1883 Oil_on_canvas 36.4x43cm
   
   
     

Edgar Degas Naked  woman wiping toes oil


Naked woman wiping toes
Painting ID::  49963
Naked woman wiping toes
mk206 1885-1886 Oil on canvas 50.2x54cm
mk206 1885-1886 Oil_on_canvas 50.2x54cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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