Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Young Spartan Girl oil


Young Spartan Girl
Painting ID::  50030
Young Spartan Girl
mk206 about 1860 Pencil and black crayon on tracing paper 28x36cm
   
   
     

Edgar Degas Study for the youth with Arms Upraised oil


Study for the youth with Arms Upraised
Painting ID::  50031
Study for the youth with Arms Upraised
mk206 about 1860 Pencil on paper
mk206 about_1860 Pencil_on_paper
   
   
     

Edgar Degas Study for the youth with Arms upraised oil


Study for the youth with Arms upraised
Painting ID::  50032
Study for the youth with Arms upraised
mk206 about 1860 Pencil and black chalk on paper
mk206 about_1860 Pencil_and_black_chalk_on_paper
   
   
     

Edgar Degas Classical Figures oil


Classical Figures
Painting ID::  50033
Classical Figures
mk206 about 1860 Sanguine crayon on tracing paper Lawrence,Kansas,Spencer Museum of Art
   
   
     

Edgar Degas Study of Boy in Attitude of Defence oil


Study of Boy in Attitude of Defence
Painting ID::  50034
Study of Boy in Attitude of Defence
mk206 about 1860 pencil and black chalk on paper 21.3x34.3cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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