Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Study of Kneeling Boy oil


Study of Kneeling Boy
Painting ID::  50035
Study of Kneeling Boy
mk206 1860 Pencil and black chalk 22.9x35.6cm
mk206 1860 Pencil_and_black_chalk 22.9x35.6cm
   
   
     

Edgar Degas Study for the Whold composition of Young Spartans oil


Study for the Whold composition of Young Spartans
Painting ID::  50036
Study for the Whold composition of Young Spartans
mk206 about 1860-1 Oil on paper mounted on another sheet of long fibred paper
   
   
     

Edgar Degas Young Spartan Girls oil


Young Spartan Girls
Painting ID::  50037
Young Spartan Girls
mk206 about 1860 Oil on canvas laid down on board
mk206 about_1860 Oil_on_canvas_laid_down_on_board
   
   
     

Edgar Degas Miss La La at the Cirque Fernando oil


Miss La La at the Cirque Fernando
Painting ID::  50038
Miss La La at the Cirque Fernando
mk206 1879 London,National Gallery
mk206 1879 London,National_Gallery
   
   
     

Edgar Degas Miss La La at the Cirque Fernando oil


Miss La La at the Cirque Fernando
Painting ID::  50039
Miss La La at the Cirque Fernando
mk206 1879 Pastel and pencil on paper 46x30cm
mk206 1879 Pastel_and_pencil_on_paper 46x30cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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