Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Women Ironing oil


Women Ironing
Painting ID::  54092
Women Ironing
mk235 c.1884 Oil on canvas 76.8x81.5cm
mk235 c.1884 Oil_on_canvas 76.8x81.5cm
   
   
     

Edgar Degas Woman Combing her hair oil


Woman Combing her hair
Painting ID::  54098
Woman Combing her hair
mk235 Oil on canvas c.1885 53x52cm
mk235 Oil_on_canvas c.1885 53x52cm
   
   
     

Edgar Degas After the Bath oil


After the Bath
Painting ID::  54099
After the Bath
mk235 1885 Oil on canvas 80x51.2cm
mk235 1885 Oil_on_canvas 80x51.2cm
   
   
     

Edgar Degas The Tub oil


The Tub
Painting ID::  54100
The Tub
mk235 1885/86 Oil on canvas 70x70cm
mk235 1885/86 Oil_on_canvas 70x70cm
   
   
     

Edgar Degas Six Friends of t he Artist oil


Six Friends of t he Artist
Painting ID::  54117
Six Friends of t he Artist
mk235 1885 Pastel on paper 113x70cm
mk235 1885 Pastel_on_paper 113x70cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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