Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Milliners (nn02) oil


Milliners (nn02)
Painting ID::  23033
Milliners (nn02)
1882 Pastel on paper 19x27" The Nelson-Atkins Museun of Art, Kansas City,Missouri. Acquired through the generostiy of an anonymus donor
   
   
     

Edgar Degas Cabaret (nn02) oil


Cabaret (nn02)
Painting ID::  23034
Cabaret (nn02)
c.1877 Pastel over monotype on paper 9 1/2x17 1/2" In the collection of The Corcoran Gallery of Art, Washington,D.C.Clark Collection
   
   
     

Edgar Degas The Rehearsal (nn03) oil


The Rehearsal (nn03)
Painting ID::  23283
The Rehearsal (nn03)
1873-4 Pastel on canvas 59 x 83.8 cm 23 1/3 33 in The Burrelll Collection Glasgow Museums and Art Gallenries,Glasgow
   
   
     

Edgar Degas Self-Portrait oil


Self-Portrait
Painting ID::  27017
Self-Portrait
mk52 1857 Oil on canvas 26x19cm Sterling and Francine Clark Art Institute,Williamstown,MA.
   
   
     

Edgar Degas Self-Portrait oil


Self-Portrait
Painting ID::  27018
Self-Portrait
mk52 c.1895-1900 Pastel on paper 47.5x32.5cm
mk52 c.1895-1900 Pastel_on_paper 47.5x32.5cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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