Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Portrait of the Bellelli Family oil


Portrait of the Bellelli Family
Painting ID::  58609 		Portrait of the Bellelli Family
Portrait of the Bellelli Family, 1858-1867, Mus??e d'Orsay, Paris, France
   
   
     
Edgar Degas The Amateur oil


The Amateur
Painting ID::  58611 		The Amateur
The Amateur, 1866, The Metropolitan Museum of Art New York City
   
   
     
Edgar Degas Horseracing in Longchamps oil


Horseracing in Longchamps
Painting ID::  58612 		Horseracing in Longchamps
Horseracing in Longchamps, 1873-1875, Museum of Fine Arts, Boston
   
   
     
Edgar Degas Portrait of Miss Cassatt, Seated oil


Portrait of Miss Cassatt, Seated
Painting ID::  58613 		Portrait of Miss Cassatt, Seated
Portrait of Miss Cassatt, Seated, Holding Cards, 1876-1878
   
   
     
Edgar Degas The Song of the Dog oil


The Song of the Dog
Painting ID::  58615 		The Song of the Dog
At the Caf??-Concert: The Song of the Dog, 1875-1877
At_the_Caf??-Concert:_The_Song_of_the_Dog,_1875-1877
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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