Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Kesate taking the card oil


Kesate taking the card
Painting ID::  49954
Kesate taking the card
mk206 1884 Oil on canvas 71.5x58.7cm
mk206 1884 Oil_on_canvas 71.5x58.7cm
   
   
     

Edgar Degas Helune in the sanctum oil


Helune in the sanctum
Painting ID::  49955
Helune in the sanctum
mk206 about 1886 Oil on canvas 161x120cm
mk206 about_1886 Oil_on_canvas 161x120cm
   
   
     

Edgar Degas Laundryman oil


Laundryman
Painting ID::  49956
Laundryman
mk206 1874-1876 Oil on canvas 81.3x76.2cm
mk206 1874-1876 Oil_on_canvas 81.3x76.2cm
   
   
     

Edgar Degas Ironing clothes works oil


Ironing clothes works
Painting ID::  49957
Ironing clothes works
mk206 1884-1885 Oil on canvas 82.2x75.6cm
mk206 1884-1885 Oil_on_canvas 82.2x75.6cm
   
   
     

Edgar Degas Tub oil


Tub
Painting ID::  49958
Tub
mk206 1885-1886 Oil on tempera 69.9x69.9cm
mk206 1885-1886 Oil_on_tempera_ 69.9x69.9cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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